Catching Up

I've been away a long time now. On vacation, seeing family and old friends, but not, as it happens seeing much art. I'm catching up on my google reader now and coming across all kinds of good things though:

• I would like my holiday decorations to somehow channel this.
• An always funny literary agent blog. Writers, take note of what not to do.
• Theory: great male artists have more sex.
• My [awesome] [wonderful] donation-based yoga studio, Yoga To the People, is being sued by Bikram for teaching hot yoga. This is ridiculous. Sign the petition.
• More gorgeous, luminescent Chinese illustrations like the one above.

And, now, tis the holiday season and New York remains an almost balmy 55 degrees and sunny. Pandora is set on the Christmas station, I've already done all my holiday shopping, and now if I can just catch up on my reading, art viewing, blogging, and writing, I'll be all set until the New Year.

It is Margaret you mourn for.

William Blake, from For Children: The Gates of Paradise

Spring and Fall

to a young child

MÁRGARÉT, áre you gríeving
Over Goldengrove unleaving?
Leáves, líke the things of man, you
With your fresh thoughts care for, can you?
Áh! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh


Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:    
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.

-Gerard Manley Hopkins

Ana Mendieta's Silueta Series

The Art Institute's room of Ana Mendieta works in the Contemporary section were striking (plus, how fantastic that they organize the rooms by artist). Mostly showing the Silueta Series, the performances and the images taken of them show the contours of the artist's body against the earth in different settings. Often, this image is created with organic material although the artist frequently uses her own body in her work, like in this Untitled (Grass on Woman) from 1972:

Called earth-body art in a hybrid of two 1960s art movements, Mendieta used her body or a female outline in her performances. The show her interjecting the female form into nature, often evoking a sense of ancestral and prototypical female goddess worship.

More information about the artist's background and untimely death.

Color: Jessica Dickinson at James Fuentes

Just some lovely colors for a sunny fall day. Jessica Dickinson large color wash paintings are up at James Fuentes through December 11. The texture is achieved through layering and and scraping. More of her work here.

Cy Twombly's Sculptures (Cont.), at MoMA

Installation View

Continuing from the small exhibition of Twombly sculptures at the Art Insitute, MoMA has dedicated a small space to showing the late artist's sculptures as well, which (joy!) I saw over the weekend. Perhaps simply in relief to the garishly colorful, incredibly large deKooning exhibition, looking at these seven white constructions felt like an oasis of calm.

Untitled (Jupiter Island), 1992. Wood, plaster, plastic leaves, wire, cloth, sand, and paint.

I'm not sure how clear it is in these photos, but the white stood out beautifully from the blue night outside the window. The roughness of the bottom contrasts with the smooth vertical white shape with its unexpected dip at the top.

Untitled (Funerary Box for a Lime Green Python). 1954. Wood, palm leaf fans, house paint, cloth, and wire.

The delicacy of the fans make this my favorite of these works. It's the earliest sculpture shown, and the fanciful description he gives the title disappears in most of his later works.

Untitled (Lexington), 2005. Plaster, paint, wood, cardboard, metal, paper, cloth, twine, and pencil

Although I say they are white, in his later works Twombly began adding a dash of bright color. Here the very tip is a bright pink. I love the balancing act implied by the varying degrees of narrowness of the different objects.

Untitled (Lexington) from a different angle.